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Vessels generally made of clay, and furnished with ears or handles. Amphoræ were used for various purposes, but especially for holding wine. Several monuments of the catacomb of St. Calixtus contain representations of amphoræ. A fragment of one of these represents a boat with sails attached to a trident, and a cargo consisting of two amphoræ on the prow a dove is perched, with the usual olive branch. A fresco also, of the catacomb of Pontianus, represents a boatman on the Tiber with a cargo of amphoræ. Both representations evidently allude to the calling of the deceased; the dove in the former case with the branch of the olive is a symbol expressing the belief that the deceased was already in possession of everlasting peace. Fragments of amphoræ have been found in the catacombs, one of which, now in the Lateran museum, is inscribed with the words: "Vivas in Deo". The handle of an amphora in the Kircherian Museum at Rome has the monogram of Christ. The same monogram, engraved between two palms, appears on the neck of an amphora discovered in excavations on the Via Nazionale, at Rome. Altogether about sixty of these utensils have been found inscribed with emblems peculiar to the Christians. A few of the most interesting of this category, containing the monogram, belong to the collection of amphoræ found in the cellar of the house of SS. John and Paul on the Coelian.
LECLERCQ in Dict. d'arch ol. chrét. et de lit., I, 1682-1712.
APA citation. (1907). Amphoræ. In The Catholic Encyclopedia. New York: Robert Appleton Company. http://www.newadvent.org/cathen/01439a.htm
MLA citation. "Amphoræ." The Catholic Encyclopedia. Vol. 1. New York: Robert Appleton Company, 1907. <http://www.newadvent.org/cathen/01439a.htm>.
Transcription. This article was transcribed for New Advent by Vivek Gilbert John Fernandez. Dedicated to Our Lady of Assumption, Church in Homebush, Sydney Australia.
Ecclesiastical approbation. Nihil Obstat. March 1, 1907. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.
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